匠心独运——钱绍武的雕塑艺术  

Originality and Ingenuity:Qian Shaowu's Sculptural Art

作　　者：曾维林 魏容[2] Zeng Weilin;Wei Rong(the School of Art,Southeast University;Hebei Academy of Fine Arts)

机构地区：[1]东南大学艺术学院 [2]河北美术学院

出　　处：《美术》2024年第4期54-57,共4页Art Magazine

摘　　要：自留学归国后,钱绍武结合西方写实技法与中国传统艺术观念进行艺术实践,创作出一批形神兼备的雕塑经典。《炎帝像》探索雕塑与空间的关系,通过点、线、面的组织增强雕塑的形式美与空间感;《李大钊纪念像》的创作,注重对雕塑整体与局部关系的思考,以体块创作为基础,具有整体感;而《李白》等作品,则以中国古典美学融入西方当代雕塑,将中国传统艺术中“写意”观念与现代雕塑形式相结合,探索现代雕塑的民族化道路。After returning home from studying abroad,Qian Shaowu integrated western realistic techniques and traditional Chinese art concepts,and created a number of vivid classical sculptures.The artist explored the relationship between sculpture and space in his creation of the Statue of the Yan Emperor,enhancing its beauty of form and sense of space by organizing points,lines and planes;he thought about the relationship between the whole and parts in his creation of the Li Dazhao Memorial,forming a sense of wholeness on a part-oriented basis;he integrated classic Chinese aesthetics into modern western sculptures in his creation of Li Bai and other sculptures,applying the "freehand" concept in traditional Chinese art to modern sculpture and exploring a path of nationalizing modern sculpture.

关 键 词：钱绍武 雕塑语言 苏派 雕塑民族化 

分 类 号：J305[艺术—美术]