心灵契合、迁想与图式观照中的艺术精神——从王万成西藏人物画谈起  

Artistic Spirits Shown in Spiritual Bond,Imagination and Schema:On Wang Wancheng's Xizang-themed Figure Paintings

作　　者：冯远[1] Feng Yuan(China Central Institute for Culture and History)

机构地区：[1]中央文史研究馆

出　　处：《美术》2024年第4期58-61,共4页Art Magazine

摘　　要：藏区灿烂多姿的历史人文、自然环境体现出对生命的礼敬和追寻,吸引了诸多艺术家的目光。王万成生长于西北,40余年来常常深入藏区进行采风写生,与藏族同胞同生活,并创作出多幅令人动容的写意人物画。他的现实主义水墨人物画恰当地调和了自由笔墨与严谨造型之间的关系,既继承了传统水墨的基本特质,又引入当代的造型元素与叙事方式,凸显了艺术家对藏族题材水墨人物画的深入探索以及对藏族同胞精神的热情歌颂。The splendid history and culture and natural environment of Xizang reflect the respect for and pursuit of life, and attract the attention of many artists. Growing up in northwest China, Wang Wancheng always went to Xizang for sketching in the past 40-plus years, living with people there and creating a number of moving freehand figure paintings. His realistic ink figure paintings appropriately reconcile free brushwork and rigorous modeling, carrying forward basic characteristics of traditional ink painting and introducing contemporary modeling elements and narrative methods. This demonstrates the artist's in-depth exploration of Xizang-themed ink figure paintings and his celebration of the spirits of people there.

关 键 词：王万成 水墨人物画 藏族题材 

分 类 号：J212[艺术—美术]