会通与重构——滑田友雕塑语言的现代性探赜  

Connection and Reconstruction: Exploring the Modernity of Hua Tianyou's Sculpture Language

作　　者：李凤志 Li Fengzhi(the School of Architecture,Nanjing Tech University)

机构地区：[1]南京工业大学建筑学院

出　　处：《美术》2024年第4期81-88,共8页Art Magazine

基　　金：教育部人文社科研究项目《“大运河文化带”建设视域下南京都市圈佛教主题空间建构研究》(批准号:21YJC760037)的阶段性研究成果。

摘　　要：作为中国现代雕塑先驱之一,滑田友修习与研究雕塑的过程,正是中国雕塑现代化进程的缩影。他在古与今、中与西、承与创的碰撞与交融中探寻着雕塑语言与时代发展的平衡,并逐步形成独特的风格特质,为中国雕塑在现代转型中的早期探索开辟了道路;同时通过六法论对传统文化和雕塑本体的体认与思考,为雕塑民族语言的传承与中国现代雕塑的民族化作出了重要贡献。The sculpture creation and research by Hua Tianyou,one of the pioneers of modern Chinese sculpture,can be considered an epitome of the modernization of Chinese sculpture.He explored the balance between sculpture language and the development of the times in the integration of the past and the present,Chinese and western ideas,and inheritance and innovation,and gradually developed his own unique style,paving the way for the early exploration of the modern transformation of Chinese sculpture.He thought about traditional culture and sculpture with the help of the Six Principles of Chinese Painting put forward by Xie He,making important contributions to carrying forward the national language of sculpture and nationalizing modern Chinese sculpture.

关 键 词：滑田友 雕塑语言 民族风格 中西美术交流 

分 类 号：J305[艺术—美术]