20世纪中国女性雕塑家的觉醒与表达  

Female Chinese Sculptors Awakened and Expressed Themselves in the 20th Century

作　　者：盛静 Sheng Jing(the College of Art and Design,Beijing University of Technology)

机构地区：[1]北京工业大学艺术设计学院

出　　处：《美术》2024年第4期97-105,共9页Art Magazine

摘　　要：中国女性雕塑家的产生和现代意义上雕塑学科的建立几乎是同步的。本文以生于20世纪初的中国女性雕塑家为研究对象,以其艺术作品为线索探寻影响现代中国第一代女性雕塑家群体创作观念的因素。这些女性雕塑家艺术创作的变化和中国社会主流意识的关系紧密,受西方女性主义和消费主义的影响较小,她们的创作旺盛期贯穿新民主主义革命到改革开放等多个历史阶段,其作品反映了中国社会变迁对艺术创作产生的主导性作用。The appearance of female Chinese sculptors almost coincided with the building of the sculpture discipline in a modern sense.This article analyzes the artworks of female Chinese sculptors born in the early 20th Century to explore factors that influenced the creation concepts of the first generation of female sculptors in modern China.Changes in their creation,less influenced by feminism and consumerism in the west,were closely related to prevailing thoughts in the Chinese society.Their creation boom spanned many historical stages from the new-democratic revolution to the reform and opening-up,and their sculptures reflected the leading role of social changes in China in artistic creation.

关 键 词：中国现代雕塑 女性雕塑家 女性主义 个体意识 

分 类 号：J303[艺术—美术]