“幻像板”——广东新会博物馆藏《木美人》再研究  

“Dummy Board”:Further Study on the Wood Beauties Collected by Guangzhou Xinhui Museum

作　　者：苏晓佳 Su Xiaojia(Guangzhou Academy of Fine Arts)

机构地区：[1]广州美术学院

出　　处：《美术》2024年第4期106-115,共10页Art Magazine

摘　　要：《木美人》为广州新会博物馆一件珍贵的馆藏,该作是以木板为基,运用西方油性坦培拉材料绘制的作品。目前关于这件藏品在学界有不少争论,主要针对它的时间起源及学术归类。本文根据该作坊间传说的疑点拆解分析、国内史实资料纵向推导,主要依据西方博物馆所藏相似之作品“幻像板”(Dummy Board),对《木美人》的造型风格、作品样态及与西方同类型作品的历史背景进行比对,推测《木美人》创作的时间范畴及来源属性。旨在将《木美人》置于世界美术史的范畴内进行横向对比研究,力图接近该作品的历史真相。The Wood Beauties,with wood board as its base and using western oily Tampera materials,is a precious collection of Guangzhou Xinhui Museum.Today,controversy swirls in the academic community mainly around when it was created and which category it falls into.Based on people's analysis of doubts and relevant historical documents in China,this article compares the modeling style and form of the Wood Beauties with the historical background of the same type of artworks in the west,in particular the“Dummy Board”collected by a western museum,and speculates on the time of creation and origin of the Wood Beauties.By placing the painting in global art history,this article carries out a horizontal comparison and research on the Wood Beauties to approach its truth.

关 键 词：木美人 幻像板 洛可可 中国风 

分 类 号：J205[艺术—美术]