水墨绘画意象造型的实践和思考  

Practice and Thoughts on Image Modeling in Ink Painting

作　　者：刘翔鹏[1] Liu Xiangpeng(Shandong Normal University)

机构地区：[1]山东师范大学

出　　处：《美术》2024年第4期145-147,共3页Art Magazine

摘　　要：水墨意象不受客观物象的限制,也不是主观的空想臆造,而是偏重于强调人的能动作用,重视以形写神的意蕴表现,追求主客观的高度统一,通过准确把握具象或抽象的形体结构,有意识地综合各种审美因素,将客观物象与主观意识紧密相连,表现形体外壳下隐藏的内在本质,将客观现实的真实转化为主观心理的真实,把观赏者的审美倾向引向中国绘画的精神美和意境美。Images in ink paintings,not limited by objective things or created subjectively,emphasize the subjective activity of human beings,the expression of feelings through forms and the high uniformity of subjectivity and objectivity.By accurately grasping concrete or abstract form structures and integrating various aesthetic factors,such images bond objective things and subjective ideas together,demonstrate the essence hidden in forms,turn objective reality into subjective thoughts,and lead the aesthetic taste of viewers toward the beauty of spirits and artistic conception of the Chinese painting.

关 键 词：水墨绘画 意象造型 审美特征 

分 类 号：J212[艺术—美术]