叙事学视域下唐传奇弃妇母题研究——以《霍小玉传》和《莺莺传》为例  

A study of the abandoned women theme in the legends of Tang Dynasty from the perspective of narratology——Taking The Biography of Huo Xiaoyu and The Biography of Yingying as example

作　　者：洪越 HONG Yue(School of Humanities,Shaanxi University of Technology,Hanzhong,Shaanxi,723000,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723000

出　　处：《闽西职业技术学院学报》2024年第1期47-51,共5页Journal of Minxi Vocational and Technical College

摘　　要：中国古代文学中的弃妇形象由来已久。唐传奇中的《霍小玉传》和《莺莺传》书写了相似的弃妇主题,在情节设定的类型模式、人物形象的对比映衬和视角悬念的综合运用上具有高度相似性,展现出这一时期唐代爱情传奇叙事技巧的成熟与完备。《霍小玉传》和《莺莺传》以“绢帛”“女萝”“玉环”等特殊物象表现弃妇情感的意象化隐喻,以叙事时间、叙事空间的变换剖析弃妇心理的叙事化表达和弃妇自身命运所体现的警世化内涵一起构成唐传奇弃妇母题的文化意蕴,进而反映唐代传奇的总体叙事风貌。The image of abandoned women in ancient Chinese literature has a long history.The Biography of Huo Xiaoyu and The Biography of Yingying,the representative works of the legends of Tang Dynasty,also write a similar theme of abandoned women,with a high degree of similarity in the types and patterns of plot setting,the contrast and setting off of characters and the comprehensive use of perspective suspense,which shows the maturity and perfection of the narrative skills of love legends in this period.In The Biography of Huo Xiaoyu and The Biography of Yingying,special images such as“silk fabric”,“dodder”and“jade ring”are used to express the emotion of abandoned women.The narrative expression of analyzing abandoned women’s psychology through the transformation of narrative time and narrative space and the connotation of warning reflected in the fate of abandoned women constitute the cultural implication of the theme of abandoned women in the legends of Tang Dynasty,and then reflect the overall narrative style of the legends.

关 键 词：弃妇母题 《霍小玉传》 《莺莺传》 文化意蕴 

分 类 号：I207.41[文学—中国文学]