新见杨明照手稿书法研究  

A Study of Yang Mingzhao’s Manuscript Calligraphy

作　　者：刘志超[1] 周一凡 LIU Zhichao;ZHOU Yifan(Arts School of Sichuan University,Calligraphy Institute of Sichuan University,Chengdu Sichuan 610207,China)

机构地区：[1]四川大学艺术学院四川大学书法研究所,四川成都610207

出　　处：《四川文理学院学报》2024年第2期153-160,共8页Sichuan University of Arts and Science Journal

基　　金：2023年度四川省哲学社会科学基金项目“英美中国书法研究的视野与路径”(SCJJ23ND380)。

摘　　要：以新见杨珣先生、王恩平先生所藏杨明照先生大量手稿为研究材料,分析了杨明照书法艺术源头与流变在于受到家学影响和燕京大学读书期间郭绍虞先生指点,论述了杨明照书法艺术从日常书写逐渐转变到以颜书为取法对象的直追古法,再到人书俱老的化境,以及他与四川高等书法教育文脉渊源关系.研究表明,杨明照书法超出文本外的文化意义,即一代文人风骨.首次对杨明照手稿书法进行研究,强调杨明照书法形象被其学术影响所遮蔽.作为蜀学研究最后一位大师,学界对他研究应多维和立体,以彰显那代学人的文化风骨.Based on a large number of manuscripts of Mr.Yang Mingzhao in the collection of Mr.Yang Xun and Mr.Wang Enping,this paper analyzes the origin and rheology of Yang Mingzhao’s calligraphy art due to the influence of family studies and the guidance of Mr.Guo Shaoyu during his study at Yenching University.This paper discusses the gradual transformation of Yang Mingzhao’s calligraphy art from daily writing to the ancient method of directly chasing Yan Zhenqing’s calligraphy,and then to the transformation of people with old calligraphy,as well as the relationship between him and Sichuan higher calligraphy education.Research shows that Yang Mingzhao’s calligraphy transcends the cultural significance of the text,that is,the style of a generation of literati.This paper is the first one to study Yang Mingzhao's manuscript calligraphy,emphasizing that Yang Mingzhao’s calligraphy image is obscured by his academic influence.As the last master of Shu Studies,the academic community should study him in a multi-dimensional way,so as to highlight the cultural style of that generation of scholars.

关 键 词：杨明照 手稿墨迹 学者书法 文人风骨 

分 类 号：G292.11[文化科学]