仪式与形式——通道侗族芦笙衣的演变与转向  

Rituals and Forms:The evolution and transition of Tongdao Dong ethnic Lusheng costume

作　　者：成竹 成雪敏[2] CHENG Zhu;CHENG Xue-min(Huzhou University,Huzhou,Zhejiang 313000;Huaihua University,Huaihua,Hunan 418008)

机构地区：[1]湖州学院,浙江湖州313000 [2]怀化学院,湖南怀化418008

出　　处：《怀化学院学报》2024年第1期65-72,共8页Journal of Huaihua University

基　　金：国家社会科学基金项目“湘黔边地苗汉民族服饰流变与文化交融研究”(23BMZ112)。

摘　　要：芦笙衣,又名百鸟衣,为侗族传统的服饰之一,普遍出现在侗族的重大节日或者祭典仪式上,其中湖南通道、贵州黎平、广西三江的侗族芦笙衣最具代表性。通道侗族芦笙衣集多元文化之基因,以物化的形式成为侗族优秀历史文化的载体,承载着侗族的历史人文信息。多元文化与民族工艺的碰撞,文化基因与造物者意识形态的融合,铸就通道侗族芦笙衣丰富的审美意蕴及艺术特征,并深刻诠释了其文化形态特征和衍变特点。Lusheng costume,also known as"Bainiao Yi,"is one of the traditional costumes of the Dong ethnic minority.It is commonly seen during major festivals or ceremonial events of the Dong people,with the most representative examples found in Tongdao,Hunan;Liping,Guizhou;and Sanjiang,Guangxi.The Lusheng costume of the Dong people in Tongdao embodies the genes of diverse cultures and serves as a materialized carrier of the excellent historical and cultural heritage of the Dong ethnic group,carrying their historical and humanistic information.The collision between diverse cultures and ethnic craftsmanship,as well as the fusion of cultural genes and the ideological consciousness of the creators,have shaped the rich aesthetic connotations and artistic features of the Lusheng costume of the Dong people in Tongdao,vividly interpreting its cultural form and evolutionary characteristics.

关 键 词：侗族 芦笙衣 演变与转向 

分 类 号：C95[社会学—民族学]