《使女的故事》中的新现实主义书写  

Neorealist writing in The Handmaid's Tale

作　　者：李莘然 LI Xin-ran(Harbin Normal University,Harbin,Heilongjiang 150000)

机构地区：[1]哈尔滨师范大学,黑龙江哈尔滨150000

出　　处：《江西电力职业技术学院学报》2023年第12期133-135,共3页Journal of Jiangxi Vocational and Technical College of Electricity

摘　　要：加拿大文学女王玛格丽特·阿特伍德的《使女的故事》将广泛而多维的现实社会作为书写对象,是对现存社会问题的进一步延伸与设想。阿特伍德在传承现实主义描述社会现实、注重人物刻画等创作特点的同时,增添了后现代实验手法,使《使女的故事》呈现出一定的新现实主义创作特征,凸显了文学作品对现实的反思与批判。The Handmaid's Tale by Margaret Atwood,Queen of Canadian literature,takes the extensive and multi-dimensional reality of society as the object of writing,and is a further extension and conception of existing social problems.While inheriting the creative characteristics of realism such as describing social reality and paying attention to character portrayal,Atwood added postmodern experimental techniques,so that"The Handmaid's Tale"presents certain neorealist creative characteristics,highlighting the reflection and criticism of reality in literary works.

关 键 词：《使女的故事》 玛格丽特·阿特伍德 新现实主义 

分 类 号：I106.4[文学—世界文学]