死亡意识、荒诞叙事与草原书写——渡澜小说《傻子乌尼戈消失了》《谎言之春》释读  

Death Consciousness,Absurd Narration and Grassland Writing-Interpretation of Du Lan's Novel Fool Unigo Disappeared and Spring of Lies

作　　者：马金娥 范云晶 MA Jin-e;FAN Yun-jing(School of Literature and Journalism,Inner Mongolia University,Hohhot,Inner Mongolia,010020)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特510610

出　　处：《集宁师范学院学报》2024年第1期32-35,共4页Journal of Jining Normal University

摘　　要：内蒙古90后女作家渡澜以荒诞味十足的短篇写作记录下草原的变化,她的小说建构离不开家园荒芜、生态危机的表层叙事与重重叠叠的“死亡”意象。如此碎片化、荒诞化的叙事使得内蒙古小说除具有本土性的特征之外,又具有了美学上的前进。它突破了经典的写实叙事的藩篱,无法界定,无规则可寻觅,但却角度刁钻地为我们展示了另一种可能——早熟的现代性与延期的游牧文明,可以无止境地相互激励、共生缠绕,走向更远的远方。Du Lan,a post-90s female writer in Inner Mongolia,recorded the changes of grassland with short stories full of absurdity.The construction of her novels cannot be separated from the superficial narration of the barren homeland and ecological crisis and the overlapping images of"death".Such a fragmented and absurd narrative makes Inner Mongolia's novels not only have local characteristics,but also have aesthetic progress.It breaks through the barriers of classical realistic narrative,which can't be defined and has no rules to find,but it shows us another possibility from a different perspective—precocious modernity and delayed nomadic civilization,which can inspire each other endlessly,intertwine together and go further.

关 键 词：渡澜 死亡意识 荒诞 草原书写 傻子乌尼戈消失了 谎言之春 

分 类 号：I247[文学—中国文学]