日本平安中期歌论的形成:从“六义”到“心词姿”  

The Formation of Japanese Poetry Theory in Mid-heian Period from the Six Meanings to Mind-Words-Figure

作　　者：朱壬铎 Zhu Renduo(Hunan Normal University,Changsha,410081,China)

机构地区：[1]湖南师范大学,长沙410081

出　　处：《语言与文化研究》2024年第3期204-208,共5页Language and Culture Research

摘　　要：“诗六义”是我国《诗经》研究和古典文论的重要概念,对日本古典歌论的形成有重要影响,在平安中期的古典歌论转型中也扮演了重要角色。“义”由于自身意义的多重性,在日本古典歌论中分化成“心——词——姿”三个评价维度。这种变化体现出日本古典歌论与中国古典诗论的密切联系,也反映出其一定程度的独立倾向和自我建构的特征。“The Six Meanings of Poetry”is an important concept in China’s study of the“Book of Songs”and classical literary theory,which had a significant influence on the formation of classical poetry theory in Japan.It also played a crucial role in the transformation of classical poetry theory during the Mid-heian period.Due to the multiplicity of meanings inherent in“Meanings”in Japanese classical poetry theory,it diversified into three evaluative dimensions:Mind,Words,and Figure.This transformation reflects the close connection between Japanese classical poetry theory and Chinese classical poetry theory and also reveals a certain degree of independent inclination and self-construction.

关 键 词：六义 六样 《古今和歌集》 心词姿 

分 类 号：I20[文学—中国文学]