“自我”的言说与保存——90年代以来青年作家身份意识辨析  

The Expression and Preservation of"Self":The Consciousness of Identity of Young Writers Since the 1990s

作　　者：牛菡 Niu Han

机构地区：[1]中国矿业大学人文与艺术学院

出　　处：《上海文化》2024年第4期41-48,共8页Shanghai Culture

摘　　要：20世纪90年代以来“手艺人”叙事深刻影响了青年作家的身份意识。在人人都有麦克风的时代,青年作家通过创作谈发表等途径创造出镜像的“自我”,该“自我”被不断复制、传播,部分青年作家陷入了言说的倦怠。青年作家在虚构与现实间徘徊并尝试为自己画像的举动,暴露出其身份焦虑。以90年代以来青年作家的身份意识为圆心,论文将依次探究从文学传统中走出的“自我”,青年作家创作谈中“自我”的言说与创作中“自我”的保存。Since the 1990s,the narrative of"craftsman"has profoundly influenced the young writers'consciousness of identity.In the era when everyone has a microphone,young writers take advantage of means as interviewing on writing to create a mirror image of"self"which is so constantly copied and disseminated that some young writers are immersed in speech fatigue.Young writers'identity anxiety is thus revealed by their wander between fiction and reality and their attempt to portray themselves.Taking their consciousness of writing as the center,the paper will explore in turn the"self"out of the literary tradition,the speech and the preservation of"self"in creation.

关 键 词：青年写作 作家身份 景观社会 “自我” 

分 类 号：I207.42[文学—中国文学]