当代花鸟瓷画艺术光影表现研究——以2021景德镇国际陶瓷艺术双年展作品为例  

Research on Light and Shadow Expression in Contemporary Flower and Bird Porcelain Painting Art——Taking the 2021 Jingdezhen International Ceramic Art Biennale as an Example

作　　者：彭刘赟 PENG Liu-yun(Ceramic Research Institute of Light Industry of China,Jingdezhen 333000,China)

机构地区：[1]中国轻工业陶瓷研究所,景德镇333000

出　　处：《中国陶瓷》2024年第4期75-78,共4页China Ceramics

摘　　要：花鸟瓷画艺术的光影表现早在清代即已得到发展,而在当代花鸟瓷画中,光影表现形式更为丰富多样。文章以2021景德镇国际陶瓷双年展作品为例,探索当代花鸟瓷画艺术光影表现形式与作用。当代花鸟瓷画光影表现形式主要包括虚实相生、散点式、因材而生等表现形式,具有体现意象之美、创造精神与人文情怀的重要作用。The light and shadow expression of flower and bird porcelain painting art has already been developed as early as the Qing Dynasty,and in contemporary flower and bird porcelain painting,the forms of light and shadow expression have become even more diverse.Taking the works of the 2021 Jingdezhen International Ceramic Biennale as an example,this article explores the forms and functions of light and shadow in contemporary flower and bird porcelain painting art.The forms of light and shadow expression in contemporary flower and bird porcelain paintings mainly include the combination of virtual and real,pointillism,and adaptation to different materials,playing a crucial role in embodying the beauty of imagery,creating spirit,and humanistic feelings.

关 键 词：当代 花鸟瓷画 光影表现 

分 类 号：J505[艺术—艺术设计]