《论音乐》:古希腊罗马遗产与一神信仰新枝的嫁接——奥古斯丁的音乐观念及其音乐哲学史价值  

On Music:The Ancient Greek and Roman Legacy and the Monotheistic Belief:St.Augustine's Musical Concepts and Their Value in the History of Musical Philosophy

作　　者：郭一涟 张博超 GUO Yilian;ZHANG Bochao(Department of Musicology,Zhejiang Conservatory of Music,Hangzhou 310024)

机构地区：[1]浙江音乐学院音乐学系,杭州310024

出　　处：《文化艺术研究》2024年第2期105-111,116,共8页Studies in Culture and Art

摘　　要：古代晚期哲学家奥古斯丁于公元391年写就《论音乐》,这部六卷本的专论集中体现了他对音乐问题的思考与探索,内容涉及诗歌的节奏和韵律分析、音乐的道德属性、音乐的本质等。在写作过程中,奥古斯丁的哲学、神学和美学思想发生了重要的转变,并清晰地反映在《论音乐》前五卷与第六卷这两种不同的写作思路中,然而这种差异并没有损害其音乐思想的统一性。《论音乐》的古典文本写作形式、音乐与数学分析方法、灵魂掌握欣赏音乐主权等思想,将古希腊罗马的遗产嫁接在一神信仰的新枝上,既体现了奥古斯丁对古典音乐哲学的继承,也标志着中世纪音乐哲学的发端。In the year 391,St.Augustine wrote On Music,a six-volume treatise that reflects his contemplation and exploration of musical issues.The content encompasses analyses of the rhythm and meter of poetry,the moral attributes of music,and the essence of music.Throughout the writing process,there was a significant transformation in St.Augustine's philosophical,theological,and aesthetic thoughts,evident in the difference between the first five volumes and the sixth volume.However,this difference does not compromise the unity of his musical philosophy.On Music's classical style,analytical methods of music and mathematics,and the idea of the soul holding sovereignty over musical appreciation,all integrate the ancient Greek and Roman heritages into the monotheistic belief.This not only demonstrates St.Augustine's continuation of classical music philosophy but also signifies the beginning of medieval music philosophy.

关 键 词：《论音乐》 奥古斯丁 音乐观念 音乐哲学史 

分 类 号：J609.1[艺术—音乐]