论毛泽东文艺批评的隐性标准  

On Mao Zedong's Implicit Criteria of Literary and Art Criticism

作　　者：赵炎秋 Zhao Yanqiu

机构地区：[1]湖南理工学院中文学院 [2]湖南师范大学文学院

出　　处：《天津社会科学》2024年第2期120-126,176,共8页Tianjin Social Sciences

基　　金：国家社会科学基金重大项目“中国特色文学理论建构的历史经验研究”(项目号:18ZDA278)的阶段性成果。

摘　　要：毛泽东文艺批评的标准可以从两个角度考察,一是他明确作为标准提出来的文艺批评标准,二是隐含在他的文艺思想中的批评标准。前者可以称为显性标准,后者可以称为隐性标准。毛泽东文艺批评的隐性标准内涵丰富,最重要的有三条,一是人民性和历史进步性,二是民族性,三是人民语言观。探讨毛泽东文艺批评的隐性标准,有助于我们更加深入地理解毛泽东文艺思想在中国特色文学理论与文艺创作中的地位与作用。Mao Zedong's criteria of literary and art criticism can be examined from two angles,one is the criteria of literary and art criticism which he clearly put forward as a standard,the other is the criteria of criticism which is implicit in his literary thought.The former can be called explicit criteria and the latter can be called implicit criteria.Mao Zedong's implicit criteria of literary and art criticism is rich in connotation,but the three most important ones are people's character and historical progress,the nationality,and the people's view of language.Exploring Mao Zedong's implicit criteria of literary and art criticism will help us to understand the position and function of Mao Zedong literary and artistic thought in literary theory and literary creation with Chinese characteristics.

关 键 词：毛泽东文艺批评 隐性标准 人民性 历史进步性 民族性 人民语言观 

分 类 号：I200[文学—中国文学] A84[哲学宗教—马克思主义哲学]