俄国形式主义的“物性”与自我超越  

“Materialty”and Self-breakthrough in Russian Formalism

作　　者：唐映雪 Tang Yingxue

机构地区：[1]浙江大学

出　　处：《俄罗斯文艺》2024年第2期138-149,共12页Russian Literature & Arts

摘　　要：俄国形式主义重视语言的“物性”,从艺术创作的“程序”和诗歌语言的音响系统出发,最终发展出“物性”批评;他们尝试突破“语言的牢笼”,将诗歌语言中的语音从语言学领域拓展到文化领域,并将艺术形式与人的身心感受以及现实行动相联系,最终使艺术形式拥有改变现实的势能。因此,俄国形式主义并非简单的“唯形式”论,它有现实的厚度和文化意涵。Russian Formalism focuses on the“materiality”of language,starting with the“procedure”of artistic creation and the sound shape of poetic language,and eventually developing“material”criticism;they attempt to break through the“Prison-House of Language”,expanding the speech of poetic language from the linguistic to the cultural feld and linking artistic forms to human feelings and actions,ultimately giving them the potential to change reality.Therefore,Russian formalism is not simply a“formonly”theory,but has realistic meanings and cultural connotations.

关 键 词：俄国形式主义 诗歌语言 音响系统 物性 

分 类 号：I512.06[文学—其他各国文学]