韦勒克对俄国形式主义文论的观照与拓展  

Wellek's View and Expansion of Russian Formalist Literary Theory

作　　者：张珉 Zhang Min

机构地区：[1]哈尔滨师范大学

出　　处：《俄罗斯文艺》2024年第2期150-160,共11页Russian Literature & Arts

基　　金：国家社科基金项目《什克洛夫斯基文艺理论与批评范式研究》(21BWW001)的阶段性成果。

摘　　要：作为20世纪上半叶备受瞩目的现代主义文论代表,韦勒克和俄国形式主义者在各自的学术界革故鼎新、开天辟地。独特的研究经历使得韦勒克与形式主义者具有天然的亲近感。在评析批评流派和建构文学理论体系的过程中,韦勒克多次论及俄国形式主义并展开深入探讨。文学性、文学史和艺术整体观构成了二者诗学对话的主要议题,并体现出不同流派之间的平行近似之处。在围绕以上议题的核心内容——文学本质、文学的演变机制、文学作品的存在方式等进行阐析时,韦勒克既合理借鉴俄国形式主义文论,又针对其中尚不成熟的观点进行修正与深化,实现了对形式主义固有研究视野的实质性拓展。As the high-profile representatives of modernist literary theory in the first half of the 20th century,Wellek and Russian formalists made general reforms and broke new ground in their respective academic circles.Wellek's unique research experience gave him a natural closeness towards formalists.In the process of evaluating literary criticism schools and constructing a system of literary theory,Wellek mentioned Russian Formalism many times and held in-depth discussions.Literariness,literary history and conception of artistic unity constituted the main topics of the poetic dialogue between the two,and reflected the parallel similarities between different schools.In the process of analyzing the core content of the above topics-the essence of literature,the evolvement mechanism of literature,the mode of existence of literary works,Wellek was not only inspired by the literary theory of Russian formalism,but also revised and deepened the immature views therein,and achieved a substantial expansion of the inherent research vision of formalism.

关 键 词：韦勒克 俄国形式主义 文学性 文学史 艺术整体观 

分 类 号：I512.06[文学—其他各国文学]