原生文化视角下早期云冈石窟雕塑造型与体育身体文化的互动研究  

A Study on the Interaction between the Sculpture Form of Early Yungang Grottoes and Sports Body Culture from the Perspective of Native Culture

作　　者：赵岷[1] 黄家乐 李翠霞[1] 张旻[1] Zhao Min;Huang Jiale;Li Cuixia;Zhang Min(College of Physical Education,Datong University,Datong Shanxi 037009,China)

机构地区：[1]山西大同大学体育学院,山西大同037009

出　　处：《武术研究》2024年第4期111-115,共5页Wushu Studies

基　　金：2018年度国家社会科学基金后期资助项目,编号:18FTY0030;2020大同市平台基地计划项目,编号:2020191;2023年度山西省哲学社会科学规划课题,编号:2023YY242;2021年度山西大同大学科研专项课题(云冈学研究),编号:2021YGZX41;2020年山西省哲学社会科学规划一般课题,编号:2020YJ145。

摘　　要：文章以原生文化视角为切入点,从人类学、考古学和艺术史学的角度出发,通过对云冈石窟雕塑的解析及文献资料的整理,系统地剖析了这些雕塑的特征和意义,从早期云冈石窟雕塑造型体现的北魏时期体育身体运动的文化表征找出相应规律,挖掘云冈早期雕塑造型背后身体文化成因与特征,发现这些雕塑在形态上与体育运动有着密切关联,其中不乏舞蹈、武术等身体表现形式。The article takes the perspective of native culture as the starting point,starting from the perspectives of anthropology,archaeology,and art history,systematically analyzes the characteristics and significance of Yungang Grottoes sculpture through the analysis of sculpture and the organization of literature materials.From the cultural representation of sports body movements in the Northern Wei period reflected in the early Yungang Grottoes sculpture,corresponding laws are found,and the causes and characteristics of body culture behind the early Yungang sculpture shapes are explored.It is found that these sculptures are closely related to sports in form,including dance,Wushus,and other forms of body expression.

关 键 词：原生文化 云冈石窟 雕塑造型 体育身体文化 

分 类 号：G85[文化科学—民族体育]