当代国画没骨画的美学构成及现代设计应用研究  

Research on the Aesthetic Composition of Contemporary Chinese Painting

作　　者：王雁[1] 王露琦 WANG Yan;WANG Luqi(The School of Design and Art,Xijing College,Xi'an 710123,China)

机构地区：[1]西京学院设计艺术学院,陕西西安710123

出　　处：《鞋类工艺与设计》2024年第7期70-72,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：国画没骨画兼具工笔与写意的优点,但又和这些风格存在差异,凭借着独特的性质备受民众的青睐,该中国传统绘画形式传承价值是非常高的。时代不断发展的过程中,赋予没骨画更为丰富的风格,尤其是新元素的加入使其具有创新性。没骨画的美学构成使其美感更为丰富,提升观赏者的审美体验,从而吸引更多学者开展相关研究工作。基于此,本文对没骨画的表现形式进行分析,并探究没骨画的美学构成,提出其在现代设计的应用策略。Traditional Chinese painting boneless painting has the advantages of meticulous brushwork and freehand brushwork,but it is different from these styles.With its unique nature,it is favored by the public,and the inheritance value of the traditional Chinese painting form is very high.In the process of the continuous development of the times,the boneless painting is given a richer style,especially the addition of new elements to make it innovative.The aesthetic composition of boneless painting enriches its aesthetic feeling,improves the aesthetic experience of viewers,so as to attract more scholars to carry out relevant research work.Based on this,this paper analyzes the expression form of boneless painting,explores the aesthetic composition of boneless painting,and puts forward its application strategy in modern design.

关 键 词：没骨画 美学构成 现代设计 

分 类 号：TU50[建筑科学—建筑技术科学]