非遗视域下民居建筑木雕元素融入室内设计的策略  

The Strategy of Integrating Intangible Cultural Heritage Wood Carving Elements into Interior Design

作　　者：申艳冬[1] SHEN Yandong(Academy of Fine Arts,Xinjiang Normal University,Urumqi 830054,China)

机构地区：[1]新疆师范大学美术学院,新疆乌鲁木齐830054

出　　处：《鞋类工艺与设计》2024年第7期157-159,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：自治区高校科研业务经费项目《新疆北部民居木结构营造技艺价值阐释与保护传承研究》(项目编号:XJEDU2023P082);教育部课题《新疆龟兹石窟壁画图案艺术研究》(课题编号:23YJA760103)。

摘　　要：民居建筑木雕作为非物质文化遗产的典型代表,具有极高的艺术价值和深厚的文化底蕴。新疆传统民居建筑木雕工艺具有在地性特征,其刀法、造型、线条等,在室内设计中被广泛应用。随着数字化时代的到来,室内装饰手法日渐丰富,大众审美水平不断提升,对室内设计的要求也日益提高,在此趋势下,现代室内设计师应多从诸如非遗民居建筑木雕元素中汲取灵感,探索室内设计中的更多可行性,这将有效推动现代设计的创新发展,助力非遗文化传承。As a typical representative of intangible cultural heritage,residential wood carving has high artistic value and profound cultural heritage.The wood carving technique of traditional residential buildings in Xinjiang has local characteristics,and its knife method,shape and line are widely used in interior design.With the advent of the digital era,interior decoration techniques are becoming more and more abundant,the public aesthetic level is constantly improving,and the requirements for interior design are also increasing.Under this trend,modern interior designers should draw inspiration from wood carving elements such as non-legacy residential buildings and explore more feasibility in interior design,which will effectively promote the innovative development of modern design and help the inheritance of intangible cultural heritage.

关 键 词：非遗民居建筑木雕 室内设计 文化传承 

分 类 号：TU238.2[建筑科学—建筑设计及理论]