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作 者:陈珊 Chen Shan(College of Literature,Shenyang Normal University,Shenyang,Liaoning 110034 China)
出 处:《西安文理学院学报(社会科学版)》2024年第1期74-78,共5页Journal of Xi’an University(Social Sciences Edition)
摘 要:“永贞革新”失败后,柳宗元被贬永州,使其所处空间发生了巨大变化。《永州八记》是柳宗元贬谪永州时的代表之作,从空间角度解读《永州八记》有助于对其文学创作进行更深入地挖掘。在《永州八记》中蕴含着居住空间、游历空间、文本空间三层空间。居住空间是创作的基础,为柳宗元提供了游历的可能性,营造了佛意的思想环境。而与现实空间有巨大差异的游历空间,则真实反映出《永州八记》山水之乐下掩盖的内心之苦。文本空间则是柳宗元对自我的建构,他通过以自我为参照的书写,在《永州八记》中建构了以自我为中心的文本空间,并对空间进行改造,将自己的理想精神和人格精神寄托于其中。After the failure of Yongzhen Innovation,Liu Zongyuan was demoted to Yongzhou,which made great changes in his space and had a great influence on his literary creation.Yong Zhou Ba Ji is Liu Zongyuan's representative when he demoted Yongzhou.Therefore,studying Yong Zhou Ba Ji from the perspective of space is helpful to dig deeper into his literary creation.There are three layers of space in Yong Zhou Ba Ji:living space,travel space and text space.Living space is the basis of creation,providing Liu Zongyuan with the possibility of travel and creating a Buddhist ideological environment.The travel space,which is greatly different from the real space,truly reflects the inner pain hidden under the joy of the landscape of Yong Zhou Ba Ji.The textual space is Liu Zongyuan's self construction.Through self-reference writing,he constructed a self-centered textual space in Yong Zhou Ba Ji,and transformed the space,their own ideal spirit and personality spirit in it.
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