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作 者:李莉[1] Li Li
出 处:《北方音乐》2024年第2期7-14,共8页Journal of the Northern Music
摘 要:“区域音乐史”概念的提出始于20世纪80年代,其研究至今已四十年许。区域音乐史研究在我国的发展,受到不同时期的音乐史学、民族音乐学(音乐人类学),以及历史学、人类学等学术观念的影响,产生了不同的研究成果。在21世纪当代新史学观念的影响下,中国区域音乐史的研究逐步在中国音乐史研究成果中占有越来越重要的地位,它的研究已成为当代中国音乐史学纵深发展的代表标志之一。The concept of Regional Music History was first launched in the 1980s,and the related research works have been going on for forty years.The regional music history researches in China have developed under the academic concepts of music historiography,ethnomusicology(music an-thropology),as well as historiography and anthropology in different periods,as result that appeared diversiform outputs.Upon the new contemporary historiographical concepts in the 21st century,the study of Chinese regional music history has gained its status which is gradually important in the Chi-nese music history research,and has become one of the representative signs of the all-round develop-ment of contemporary Chinese music historiography.
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