慧远的乐论思想研究  

A Study of Hui Yuan's Thought on Music Theory

作　　者：王维[1,2] Wang Wei

机构地区：[1]上海音乐学院 [2]温州大学音乐学院,温州325000

出　　处：《北方音乐》2024年第2期44-52,共9页Journal of the Northern Music

基　　金：国家社科基金一般项目《儒释道视阈下的魏晋乐论思想研究》(项目编号:18BZW004)的阶段性研究成果。

摘　　要：在慧远的乐论中,他认同偈颂之声的本体地位,而偈颂之声又是建立在个体数息禅定的基础上。慧远信奉阿弥陀佛及其所居之极乐净土,因此,他通过“念佛三昧”的方式“察夫玄音之叩心听”,期盼阿弥陀佛在观想中的亲身临在并叩响人之心门,以此光照消散人心的滞情与郁结。慧远的最终目的是为了借助超验神性的力量实现对世人的精神引领。Although Hui Yuan identify the independent status of the sound of Gatha in his thesis of music,it actually based on the individual's counting of breath and meditation.As embraced in Am-itabha Buddha and Sukhvati where Buddha resides,Hui Yuan got the"inner observation of the mys-terious sound that is affect the spirit"with Nembutsu Samadhi,prayed to hearing the sound of Am-itabha Buddha arriving when meditating and contemplation,and hoped the sound will knock the door of the heart,so that the light will dispel the stagnant feelings and the stagnation of the human heart.Hui Yuan's ultimate goal is to realize the spiritual guidance of the world through the power of transcendental divinity.

关 键 词：慧远 偈颂之声 超验神性 精神引领 

分 类 号：J609.2[艺术—音乐]