论歌剧《鲁斯兰与柳德米拉》中“插叙”的情爱核心  

On the Interstitial as Love Core in the Opera Russlan and Ludmilla

作　　者：曹烨程 杨九华 Cao Yecheng;Yang Jiuhua

机构地区：[1]哈尔滨音乐学院,哈尔滨150028 [2]浙江音乐学院,杭州310024

出　　处：《北方音乐》2024年第2期64-72,共9页Journal of the Northern Music

摘　　要：《鲁斯兰与柳德米拉》是俄罗斯作曲家格林卡通过普希金创作的长篇叙事诗改编而成的歌剧。其情节跌宕起伏,饱含民族风情,音乐突出个性,其思想蕴涵隐射人性情爱。文章以具有“争议”的“插叙”段落(法师芬恩的回忆)为着眼点,从戏剧内涵、情爱意象、音乐情愫三个方面进行论述,以辩证的角度,对“插叙”段落中,戏剧功能的合理与突兀、角色情感的讽刺与讴歌、音乐情愫的泛爱与深情这三对矛盾体,辩证地解读俄罗斯早期歌剧中蕴涵的人文表达。Russlan and Ludmilla,which adapted by Russian composer Glinka from Pushkin's long narrative poem,is an opera with drastic and impassioned plot,as well as the national flavor style highlight the individuality of music.Furthermore,the ideological implications in it imply human love,so the article focuses on the interstitial passage(the reminiscences of the mage Finn),which is controversial,to discuss the dramatic connotation,love imagery,and musical implication in it.Upon the scrutiny of above three aspects,the author dialectically interpreted the humanistic expres-sion in the early Russian opera which demonstrated by three contradictions in the interstitial pas-sage,i.e.the reasonableness and abruptness of dramatic function,the irony and eulogy of charac-ter's emotion,and the panoply of love and affection of musical implication.

关 键 词：格林卡 歌剧 《鲁斯兰与柳德米拉》(Russlan and Ludmilla) 插叙 情爱 

分 类 号：J609.3[艺术—音乐]