中国画元素融入龙泉青瓷的装饰应用研究  

Research on the Decorative Application of Integrating Chinese Painting Elements into Longquan Celadon

作　　者：王卓尔 雷慧珍[1] Wang Zhuoer;Lei Huizhen(Lishui University,Lishui,323000)

机构地区：[1]丽水学院,丽水323000

出　　处：《陶瓷研究》2024年第1期145-147,共3页Ceramic Studies

摘　　要：龙泉青瓷作为世界非物质文化遗产是我们中华民族优秀传统文化的一大标志,随着时代的发展,龙泉青瓷也必然需要不断创新去顺应新时代的发展需要。本研究将龙泉青瓷的纹饰作为创新主题,通过分析研究总结出历代龙泉青瓷的纹饰特征;将传统中国画作为主要创新元素,将“谢赫六法”作为理论框架对瓷画融合创新;阐明“以形写神”等中国画核心造型观;对其市场进行深入探讨;提炼出结合现当代社会背景“瓷画相生”的人文价值。Longquan celadon,as a world intangible cultural heritage,is a major symbol of the excellent traditional culture of our Chinese nation.With the development of the times,Longquan celadon also inevitably needs to constantly innovate to meet the needs of the new era.This study takes the decorative patterns of Longquan celadon as an innovative theme,and summarizes the decorative characteristics of Longquan celadon from various dynasties through analysis and research;Using traditional Chinese painting as the main innovative element and the"Six Methods of Sheikh"as the theoretical framework to integrate and innovate porcelain painting;Clarify the core shaping concepts of Chinese painting,such as"writing gods through form";Conduct in-depth exploration of its market;Extract the humanistic value of"porcelain painting complementing each other"in the context of modern and contemporary society.

关 键 词：龙泉青瓷 纹饰 中国画 创新融合 

分 类 号：J527[艺术—艺术设计]