20世纪90年代中国作家的器物收藏、物性书写与物观意识  

The Collection of Artifacts,“Physicality”Writing and Consciousness of Physical View of Contemporary Chinese Writers in 1990s

作　　者：陈雅琪 CHEN Yaqi(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2024年第2期161-168,220,共9页Research of Chinese Literature

基　　金：湖南省哲学社会科学基金青年项目“20世纪八九十年代中国城市小说中的器物书写研究”(22YBQ033)。

摘　　要：当代作家的收藏行为和物性书写反映了作家的审美趣味和文学观的形成源流,以及他们对传统文化和外来文化的看法和态度以及对物性和人性的重新思考。本文试图从文学创作、文化建构、美学发现、哲学问道四个方面分析20世纪90年代中国作家的器物收藏所产生的影响。从物的维度去解读当代作家的文学作品和文化行为,有利于突破人本主义的思维限度,在更广大的宇宙万物间去理解人类的生存发展,亦对当下中国社会主义精神文明建设具有重要意义。The collection of artifacts and“physicality”writing of contemporary Chinese writers reflect writers’aesthetic taste,their literature view,their attitude to traditional and foreign culture,and how they rethink human nature and material nature.Besides,this thesis analyses the influence contemporary Chinese writers’artifacts collection made on literature writing,culture construction,aesthetic discovery,and philosophy discussion in 1990s.Concerning the significance of analyzing contemporary writers’literary works and cultural behavior focusing on materialism,it will make breakthrough in humanism which is the main stream of ideological theory,and help us to think about the destiny of human beings from the angle of the universe.This also has great significance for current construction of socialist spiritual civilization in China.

关 键 词：器物收藏 物性书写 物观意识 20世纪90年代 

分 类 号：I209[文学—中国文学]