约恩·福瑟《忧郁症Ⅰ》中的后现代表征  

Postmodern Representations in Melancholy I by Jon Fosse

作　　者：李娟[1] LI Juan(The School of Foreign Languages,Tianjin University of Science and Technology,Tianjin 300457,China)

机构地区：[1]天津科技大学外国语学院,天津3000457

出　　处：《河北民族师范学院学报》2024年第2期59-64,共6页Journal of Hebei Normal University For Nationalities

摘　　要：2023年诺贝尔文学奖得主约恩·福瑟在小说《忧郁症I》中展现了其受后现代主义影响的创作实践。作品以挪威画家拉斯·赫特维格的人生为创作来源,对传统意义上的文类、“叙事”、文本进行解构,表现出强烈的后现代表征。福瑟在其中探讨了人作为个体与他人和世界进行对抗时的孤独与挣扎,体现了其“不可言说”的创作风格。In the novel Melancholy I,Jon Fosse,the winner of the 2023 Nobel Prize in Literature,shows the creative practice of a writer influenced by postmodernism.He takes the life of the Norwegian painter Lars Hertervig as the source of creation,and deconstructs the genre,“narrative”and text which are in the traditional sense,showing a strong postmodern representation.In the work,Fosse discusses the loneliness and struggle of individual when fighting against others and the world,which reflects Fosse’s“unsayable”creative style.

关 键 词：约恩·福瑟 《忧郁症I》 后现代主义 解构 

分 类 号：I106[文学—世界文学]