桥意象在唐人小说中的叙事功能  

Connect and Cross:The Narrative Function of Bridge Images in Tang Novels

作　　者：刘金润 LIU Jin-run(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《汉江师范学院学报》2024年第2期39-46,共8页Journal of Hanjiang Normal University

基　　金：国家社科基金一般项目“中国古代小说谱系与东亚汉文小说观念及创作研究”(项目编号:23BZW031)。

摘　　要：在唐人小说中,“桥”不仅作为一座实体建筑单独存在于文本中,还是一种具有多重叙事功用的文学意象。蕴含着跨越之义的桥在唐人笔下实现了由实入虚的转变,成为遇仙、入梦等志怪故事中叙事的主场景和空间切换的标识。作为空间叙事视野中具有枢纽性功用的文学意象,唐人小说中的桥对于人物形象的塑造与情节的推进发展等方面呈现出的叙事功能具有较大的阐释空间。In Tang novels,the bridge did not only exist in the text as a physical building,but also as a literary image with multiple narrative functions.The bridge,containing the meaning of crossing,has realized the transformation from reality to emptiness in the works of Tang poets and writers,and has become the main scene and the symbol of space switching in the narrative of supernatural stories such as meeting fairies and falling into dreams.As a cultural symbol with a pivotal function in the vision of spatial narrative,the bridge image in the novels is conducive to the image shaping of characters and the promotion and development of plots,and whose narrative function in various types of Tang novels has great an explanatory space and literary value.

关 键 词：桥意象 唐人小说 叙事功能 

分 类 号：I207.41[文学—中国文学]