清代宫廷服饰与粉彩瓷器中动物纹样的比较探析  

A Comparative Study of Animal Patterns on Qing Dynasty Palace Costumes and Pastel Porcelain

作　　者：陈晓依 吴志明 CHEN Xiaoyi;WU Zhiming(School of Design,Jiangnan University,Wuxi Jiangsu 214000,China)

机构地区：[1]江南大学设计学院,江苏无锡214000

出　　处：《武汉纺织大学学报》2024年第2期26-32,共7页Journal of Wuhan Textile University

基　　金：教育部人文社会科学研究规划基金项目(21YJA760073)。

摘　　要：清代宫廷服饰与粉彩瓷器是清代艺术与工艺的集大成者,两者处在相同的发展背景下,对于动物纹样的运用存在一定的相似处。文章通过文献查阅法及对比研究法分析动物纹样在两者的异同,通过对两者的题材、色彩、布局、造型等进行分析,找出动物纹样在不同艺术上的差异及其共通性。研究表明:清代宫廷服饰与粉彩瓷器在选取题材的风格和寓意上相似,在色彩运用上运用五行色的配色亦遵循传统的配色口诀一色为主、巧用补色、以色助色,在纹样布局上遵循中式对称之美及天圆地方的造物思想。但两者作为两种截然不同的载体,在造型上因器制宜、因地布纹,在工艺上因材施艺、因材敷彩,因此在纹样的呈现上有所不同。The imperial dress and pastel porcelain of Qing Dynasty are the integrator of Qing Dynasty art and technology,they are in the same development background,and there are some similarities in the use of animal patterns.This paper analyzes the similarities and differences of animal patterns in the two by literature review and comparative research,and finds out the differences and commonalities of animal patterns in different arts by analyzing the subject matter,color,layout and shape of the two.The research result shows that the Qing Dynasty court dress and pastel porcelain have similar styles and meanings in the selection of themes.In the use of color,the color matching of five rows of colors also follows the traditional color matching formula,the clever use of complementary colors and colors to help colors,and the pattern layout follows the Chinese beauty of symmetry and the creation idea of heaven and earth.However,as two completely different carriers,they are different in the presentation of patterns because of the shape of the instrument,the cloth pattern because of the ground,the art of the material and the color of the material in the process.

关 键 词：动物纹样 清代 粉彩瓷器 宫廷服饰 对比研究 

分 类 号：J523.5[艺术—艺术设计] TQ174.72[化学工程—陶瓷工业]