敦煌藏经洞绢画Stein painting35.Ch.lvi.0034考  

A Study on Stein Painting 35.Ch.lvi0034 from Dunhuang Library Cave

作　　者：赛本加 于春[1] Saibenjia(School of Culture Heritage,Northwest University,Xi'an,Shaanxi,710119)

机构地区：[1]西北大学文化遗产学院,陕西西安710119

出　　处：《西藏民族大学学报（哲学社会科学版）》2024年第1期42-47,155,共7页Journal of Xizang Minzu University：Philosophy and Social Sciences Edition

基　　金：国家社科基金一般项目“藏族民间苯教与普米族韩规教比较研究”(项目号:22BZJ032)的阶段性成果。

摘　　要：敦煌藏经洞出土的绢画Stein painting35.Ch.lvi.0034是一幅观无量寿净土经变图。绢画主尊两侧的胁侍菩萨是莲花手和金刚手菩萨,尊格与风格和其他同时期观经变图像中的胁侍菩萨不同,这种组合应该受到了吐蕃时期流行的大日如来与莲花手、金刚手菩萨图像的影响,与吐蕃时期密教题材绢画中的菩萨形象接近。绢画的右上角绘制的“未生怨”故事中的人物形象着吐蕃装,对比其他吐蕃统治敦煌时期的绢画,推测该绢画时代为吐蕃赞普墀祖德赞执政期间(815-841),应为类似“白央”一样精通吐蕃和唐两种佛教艺术风格的画僧所绘。The Stein painting 35.Ch.lvi.0034 from Dunhuang Library Cave is a sutra illustration of Amitayurdhyana-sutra.The two Attendant Bodhisattvas on either side of the main figure in the silk painting are Avalokitesvara and Vajrapani,and their iconography and stylistic features are different from the other Attendant Bodhisattvas on Amitayurdhyana-sitra in the same period.This unique combination suggests an influence by the popular images of Vairochana,Avalokitesvara and vajrapani in Tubo dynasty,and which is close to the images of Bodhisattvas in the silk paintings from Mantra at same time.In the upper right corner of the silk painting,the figures in the story of Ajatasatru reflects distinct Tubo attire.By comparing this silk painting with others during the Tubo reign in Dunhuang,it is speculated that it likely dates back to the reign of Khri gtsug lde btsan(815-841),and drew by a monk like Dbal dbyang who was skilled in both Tubo and Tang Buddhist artistic styles.

关 键 词：吐蕃 观经变 菩萨 大日如来 

分 类 号：K879.4[历史地理—考古学及博物馆学]