论翟永明新世纪以来的“新白夜”书写——以诗集《全沉浸末日脚本》为例  

On Zhai Yongming’s“New White Night”Writing in the New Century—Taking the Poetry Collection Full Immersion Doomsday Script as an Example

作　　者：但凯南 Dan Kainan(College of Literature,Minnan Normal University,Zhangzhou Fujian 363000,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《河北科技师范学院学报（社会科学版）》2024年第1期84-89,共6页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：20世纪90年代以来,翟永明的诗歌写作日渐从“黑夜”书写向“白夜”书写转化。21世纪以后,诗人迈入社会现实多方面,将对个体生命思索延伸至对人类整体的关怀。近期出版的诗集《全沉浸末日脚本》中,诗人拓展“白夜”范围,在题材选择、内容表现和写作技巧应用上,对以往写作有所继承,又有开拓的新意,展现“新白夜”特色。经由文本分析,诗人注重写作的多变和吸引力,以创造科幻空间想象人类未来情境,以女性情怀思考人类整体命运境况,以跨界的写作实践和生动的语言建构诗性的空间,在历史、现今和未来的穿越里树立诗歌写作的新范式。Since the 1990s,Zhai Yongming’s poetry writing has gradually transformed from“darkness”to“white night”.After the 21th century,the poet has entered various aspects of social reality,extending her contemplation of individual life to the care of the human race as a whole.In her recently published poetry collection Full Immersion Doomsday Script,the poet expands the scope of“white night”,inheriting and exploring new ideas in the selection of themes,content expression,and application of writing techniques,showing the characteristics of“new white night”.Textual analysis shows that the poet focuses on the variability and attractiveness of writing,creating a science fiction space to imagine the future of humanity,thinking about the overall fate of humanity with female feelings,and constructing a poetic space with cross-border writing practices and vivid language,which establishes a new paradigm for poetry writing in the transition between the past,the present,and the future.

关 键 词：翟永明 “新白夜”书写 科幻空间 女性情怀 跨界写作 

分 类 号：I207.25[文学—中国文学]