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作 者:肖贵成 Xiao Guicheng(Qiannan Preschool Education College for Nationalities,Guizhou 551300;Suzhou University,Suzhou 215000 Jiangsu)
机构地区:[1]黔南民族幼儿师范高等专科学校基教系,贵州贵定551300 [2]苏州大学文学院,江苏苏州215000
出 处:《黄冈职业技术学院学报》2024年第2期58-61,共4页Journal of Huanggang Polytechnic
基 金:国家社科基金冷门“绝学”和国别史等研究专项“中国少数民族戏曲剧种优秀剧目整理与研究”(19VJX147);国家社会科学基金重大项目“西南少数民族戏剧中华传统题材剧本整理与研究”(22&ZD283)。
摘 要:戏剧文学视域内,布依戏的形成和发展有其独特的过程。布依戏的形成不仅与梆子腔体系的豫剧、川剧相关,而且与邻近地区的壮剧、彩调剧和花灯剧存在或远或近的亲缘关系。布依戏就是在与兄弟民族戏剧剧种的交流中,在本土艺术元素积淀到一定阶段后发展而成。20世纪50年代之后,无论从文学视角还是从表演视角考察,布依戏均得以持续发展。通过布依戏文学的形成和发展概况考察可以探寻出其建设路径,以布依戏为核心,建构自内而外的民族戏剧文学共同体是促成布依戏持续发展的有效途径。In the perspective of theatrical literature,the formation and development of Buyi Opera have its unique process.The formation of Buyi Opera is not only related to the Henan Opera and Sichuan Opera of the Bangzi Opera system,but also has relationships with the Zhuang Opera,Caidiao Opera and Huadeng Opera in neighboring regions.Buyi Opera is developed through the exchange of theatrical genres with neighboring ethnic groups,and after the accumulation of local artistic elements to a certain stage.After the 1950s,Buyi Opera continued to develop from both literary and performance perspectives.By examining the formation and development of Buyi Opera literature,this research explore its construction path.Taking Buyi Opera as the core and constructing a community of ethnic drama literature from the inside to the outside is an effective way to promote the sustainable development.
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