笔墨书戏音——《沈阳菊史》述评  

On the Shenyang Xiqu:A Review of History of Modern Shenyang Xiqu

作　　者：张若琦 商树利[1] Zhang Ruoqi;Shang Shuli

机构地区：[1]沈阳音乐学院音乐学系

出　　处：《乐府新声（沈阳音乐学院学报）》2024年第1期82-90,共9页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：在清代地方戏曲史的研究成果中,对东北地区的戏曲活动概况进行专门研究与论述的较少,在将范围缩小至沈阳后,可见的研究成果更如凤毛麟角一般。而《沈阳菊史》一书少见地记录了清末民初沈阳地区的戏曲活动概况,成为清末地方戏曲史研究中不可替代的存在。然而,时至今日,仍未见有学人对此书抑或此书背后隐匿的清末民初沈阳戏曲活动情况进行探索与研究,本文遂浅说书籍本体、执笔者身份、著作价值与局限,以期探微而知著。Among the research achievements in the history of regional Xiqu during the Qing Dynasty,specialized studies and discussions on the activities of Xiqu in Northeast China are relatively scarce.This scarcity becomes even more pronounced when focusing specifically on Shenyang.History of Modern Shenyang Xiqu is a rare book detailing the activities of Xiqu in Shenyang during the late Qing and early Republic(i.e.China around 1911).Its uniqueness and rarity make it an irreplaceable contribution to the study of regional Xiqu history from that era.However,to date,there has been little exploration into the book itself or the historical context of activities of Xiqu in Shenyang during the late Qing and early Republic periods it portrays.This study briefly discusses the book's content,the author's identity,the work's value and the limitations,aiming to delve into details to gain significant insights.

关 键 词：《沈阳菊史》 版本 作者考证 价值与局限 

分 类 号：J605[艺术—音乐]