为情感共鸣的全面电影人辩护:谢晋电影模式与情节剧的持久性  

In Defence of the Emotionally Resonant Total Filmmaker:Xie Jin’s Film Model and the Persistence of Melodrama

作　　者： 郑泉(译) Marco Müller;ZHENG Quan

机构地区：[1]上海大学上海电影学院 [2]上海大学电影艺术研究中心

出　　处：《电影理论研究（中英文）》2024年第1期94-99,共6页Journal of Film Studies

摘　　要：中国传统的伦理体系与新中国成立所带来的新思想之间的调和形成了一种广受欢迎的电影形式,这在西方被称为“情节剧”。然而,这个类别从未成为中国电影类型系统的一部分。谢晋是中国最能代表完整和复杂情感共鸣的全面电影人,在他独特的电影风格中,情节剧始终服务于纯粹的场面调度,同时他的“政治情节剧”和“家庭情节剧”构成了私人与公共之间的冲突、社会中(可以解决的)矛盾的戏剧化呈现。正是由于像谢晋这样的电影巨匠的存在,情节剧的想象力一直贯穿着整个中国近代电影史,今天他的电影仍然在向中国资深和年轻导演传授如何不惧怕电影中的情感表达。The popular film form that embodied the negotiation between the traditional ethical system and the new system of thoughts and morals brought over by the birth of the People’s Republic of China,is what is known in the West as‘melodrama’.This category,however,was never part of the Chinese genre system and the most compelling.Xie Jin represents the most complete and complex embodiment of the emotionally resonant total Chinese filmmaker.In his unique film style,melodrama was always serving pure mise_en_scene and at the same time his“political melodramas”and“family melodramas”constitute the dramatization of conflicts between private and public,contradictions(that can be solved)in the society at large.Owing to filmmaking giants like Xie Jin,the melodramatic imagination has continued to permeate modern Chinese cinema throughout the whole of its recent past and he can still teach can teach to all directors young and less young who make films in China today how not to be afraid of emotions.

关 键 词：家庭情节剧 政治活动家电影 情感共鸣的全面电影人 情感吸引力 象征性定位 

分 类 号：J911[艺术—电影电视艺术]