建安诗人应玚文学风貌论析  

A Review of the Literary Style of Ying Yang,a Poet of the Jian'an Period

作　　者：魏宏灿 WEI Hongcan(Editorial Department,Fuyang Normal University,Fuyang,Anhui 236041,China)

机构地区：[1]阜阳师范大学学报编辑部,安徽阜阳236041

出　　处：《南昌师范学院学报》2024年第2期74-79,84,共7页Journal of Nanchang Normal University

基　　金：安徽省高校协同创新项目“‘淮河论坛’特色栏目可持续发展与传播研究”(CXXT-2020-039)。

摘　　要：汝南应氏家族中的应玚,是汉魏时期较为杰出的文学家,论者论及建安文学时,说他“作品一般,无大特色”,“平平无可观”,没有给予其应有的评价,其文学创作还是很有艺术性的。其诗,写景抒情善用比兴,重视文采,追求构思的精巧与语言的清丽。其赋,咏物、言志、纪行,已突破汉赋“体物”的束缚,用来抒发情感,自觉地追求中和之美。其文学创作之情感悲伤,音调柔和,文采斐然清丽,纯属“魏响”,这正是曹丕所说的“和而不壮”。这种艺术个性是他“学优”、家风、文学思想及建安时代“诗赋欲丽”文风的合力而成,体现了他文质统一的文学思想。Ying Yang,from the Ying family of Runan,was a distinguished literary figure during the Han and Wei periods.When discussing Jian'an literature,some critics have described his work as“generally mediocre,lacking distinctive features”and“unremarkable”,failing to give it the recognition it deserves.In fact,his literary output possesses artistic quality.His poetry,known for its landscape depictions and emotional expression,skillfully uses metaphors and similes,emphasizes eloquence,and pursues intricate concepts and elegant language.His essays,which include descriptions of objects,expressions of resolve,and travel accounts,have broken free from the Han dynasty's conventional“object-focused”style,using literature to express emotions and consciously pursuing a beauty of moderation.His literary output is characterized by emotional depth and a soft tone,with beautifully crafted,clear writing that truly belongs to the“Weixiang”,epitomizing Cao Pi's description of“harmonious but not strong”.His artistic personality was shaped by his excellent education,family traditions,literary thought,and the“elegance-seeking-in-poetry-and-ode”style of the Jian'an period,reflecting his unified literary ideology.

关 键 词：应玚 诗赋创作 艺术特点成因 

分 类 号：I206.2[文学—中国文学]