写天地万物,而陶泳乎我——石涛艺术实践的美学取向  

Paint All Things in the World and Cultivate My Sentiments:The Aesthetics Orientation of Shi Tao's Artistic Practice

作　　者：高飞[1] Gao Fei

机构地区：[1]安徽师范大学美术学院,安徽芜湖241000

出　　处：《复印报刊资料（美学）》2022年第6期89-99,共11页Aesthetics

基　　金：安徽省哲学社会科学规划项目(AHSKY2018D76)。

摘　　要：石涛在中国绘画史上,可谓是最富创新精神的画家,不仅创造出独谐之妙的山水笔墨图式,更在于把宋人臻于“高古、神秘”和元人取向“清逸、士气”的山水风貌,引向了“借笔墨以写天地万物,而陶泳乎我”的美学境界。尤其是他旅居宣城十余年间,游尽江南名山大川,在自然里“写生瑞意,运情摹景”“搜尽奇峰打草稿”,从而构筑其千姿百态、境界无限的山水之美。In the history of Chinese painting,Shi Tao is said to be the most innovative painter.He not only creat-ed a unique landscape brush and ink pattern,but also shifted the Song people's"antiquity and mystery"and Yuan people's"clearness and elegance"to the landscape painting style,which is"to paint everything in the world with his brush and ink and cultivate his noble sentiments".In particular,he lived in Xuancheng for more than ten years and traveled to all the famous mountains and rivers in the south of the Yangtze River,"sketching and trying to imagine,copying the scenery with his emotions"and"searching all the strange peaks and sketching them in drafts",thus con-structing the beauty of diverse landscapes in a thousand forms and boundless realms.

关 键 词：石涛 写生摹景 搜尽奇峰打草稿 陶泳乎我 

分 类 号：J212[艺术—美术]