莆仙地区“大神尪”傩舞的活态表征与文化演绎  

The Representation and Cultural Interpretation of the NuoDance of“Holy Generals”in Puxian Area

作　　者：林炜莉 郑玉玲 LIN Wei-li;ZHENG Yu-ling(College of Foreign Languages,Putian College,Putian Fujian 351100,China;South Min Cultural Research Institute,Minnan Normal University,Zhangzhou Fujian 363000,China)

机构地区：[1]莆田学院外国语学院,福建莆田351100 [2]闽南师范大学闽南文化研究院,福建漳州363000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第4期28-31,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：国家社科冷门绝学重大研究专项:闽台“大神尪”傩舞艺术的抢救、挖掘与传承研究(19VJX151);莆田学院校内科研项目:历史与田野:莆仙地区傩舞艺术与文化演绎(2021018)。

摘　　要：莆仙地区“大神尪”傩舞活态遗存在时空流变下,其“驱逐”原形被遮蔽,逐步变型为将驱恶纳吉、禳灾祈福作为主要诉求,以傩舞等传统歌舞仪式为主轴的祭祀巡游活动。在莆仙“大神尪”傩舞祭祀活动中,鲜明体现莆仙先民对驱鬼逐疫的追求、对加强联防的公共管理诉求、对无病无灾的祈求,其中亦蕴含莆仙传统社会中个人、族群及仪式之间的素朴哲思构建。The living form of the Nuo Dance of the“Holy Generals”in the Puxian area has been hidden under the changes of time and space.Its“expulsion”form has gradually transformed into a sacrificial parade activity with the main demand of expelling evil,receiving good fortune,and praying for disaster,with traditional song and dance ceremonies such as Nuo Dance as the main axis.In the Nuo Dance sacrificial activity of the“Holy Generals”,it vividly reflects the pursuit of the ancestors of Puxian to drive away ghosts and epidemics,the public management demand for strengthening joint prevention,and the prayer for no disease or disaster.It also contains the simple philosophical construction between individuals,ethnic groups,and rituals in the traditional society of Puxian.

关 键 词：莆仙地区 “大神尪”傩舞 活态实存 文化演绎 

分 类 号：J722.29[艺术—舞蹈]