从赋体看韩愈文章骈散浑成的特征  

Combination of parallel and scattered style in HAN Yu’s Fu

作　　者：韩谱 梁帅 HAN Pu;LIANG Shuai(College of Literature,Zhengzhou University,Zhengzhou 450000,China)

机构地区：[1]郑州大学文学院,河南郑州450000

出　　处：《周口师范学院学报》2024年第1期11-16,共6页Journal of Zhoukou Normal University

摘　　要：韩愈发展骚体赋、发明新文赋等作文实践,对于中国古代文体学发展有重要意义。我们在看到韩愈对文体改革变化产生深远影响的同时,会注意到他的文章是骈散浑成的。作为古文家的韩愈不刻意排斥骈文其因有三:首先是文体发展规律需要踵事增华,而骈文文体在部分表现上具有无可替代性;其次是唐代国家公文概用骈体为骈文的发展提供了客观社会保障;再次是韩愈自身继承“道统”的自觉意识致使语句雍容精警。HAN Yu’s development of Saoti Fu and the invention of New Wenfu is of great significance for the development of ancient Chinese stylistics.While seeing HAN Yu’s profound influence on the reform and changes of literary style,we can notice that his articles are composed of parallel and scattered works.As an ancient writer,HAN Yu did not deliberately reject parallel prose.There are three reasons:firstly,the development of literary style is becoming increasingly diverse and gorgeous,and parallel prose style has irreplaceable performance in some aspects;Secondly,the use of parallel prose in Tang Dynasty’s official documents provided objective social security for the development of parallel prose;Once again,HAN Yu’s conscious awareness of inheriting“orthodoxy”led to his elegant and precise language.

关 键 词：韩愈 骚体赋 新文赋 骈散融合 

分 类 号：I206[文学—中国文学]