浅析法海寺《帝释梵天礼佛图》中的女神服饰纹样  

A Concise Analysis of the Costume Pattern of the Goddess in Emperor Shifan Tianlifo Tu at Fahai Temple

作　　者：岳冉 丁肇辰[2] Yue Ran;Ding Zhaochen(Academy of Fine Arts,Beijing Institute of Fashion Technology,Beijing 100105,China;School of Art&Design,Beijing Institute of Fashion Technology,Beijing 100105,China)

机构地区：[1]北京服装学院美术学院,北京100105 [2]北京服装学院艺术设计学院,北京100105

出　　处：《艺术与设计（理论版）》2024年第2期93-96,共4页Art and Design

基　　金：教育部服务国家特殊需求博士人才培养项目“中国传统服饰文化抢救传承与设计创新人才培养”的阶段性成果;国家艺术基金人才培养项目《中国传统服饰艺术数字化人才培养》支持(北京服装学院)。

摘　　要：法海寺壁画是明代寺观壁画的代表,其繁缛华丽的服饰纹样具有十分显著的时代特征和研究价值,壁画中的女神服饰纹样融合了明代宫廷服饰纹样的元素,是当时社会生活的映射。文章以法海寺壁画《帝释梵天礼佛图》中女神着装及纹样分析为依据,总结出了法海寺女神服饰纹样当中最具代表性的纹样类别,分析其造型特点及美学价值,更好的传承壁画服饰艺术所蕴含的文化内涵,为探究法海寺壁画中的服饰纹样提供研究依据。The Fahai Temple murals are representative of the Ming Dynasty temple murals.The intricate and magnificent patterns of the costumes have significant historical and research value.The costume patterns of the goddess in the murals combine elements of the Ming Dynasty court costumes,reflecting the social life of that time.Based on the analysis of the costumes and patterns of the goddess in the Fahai Temple mural Emperor Shifan Tianlifo Tu,this article summarizes the four most representative categories of costume patterns in the Fahai Temple murals,analyzes their stylistic characteristics and aesthetic value,and better inherits the cultural connotations contained in the mural costume art,providing a research basis for researchers to understand and explore the costume patterns in the Fahai Temple murals.

关 键 词：明代 法海寺壁画 服饰纹样 

分 类 号：J522[艺术—艺术设计] K879.41[历史地理—考古学及博物馆学]