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作 者:葛亮 Ge Liang(Zaozhuang University,Zaozhuang 277160,China)
机构地区:[1]枣庄学院,山东枣庄277160
出 处:《艺术与设计(理论版)》2024年第4期134-137,共4页Art and Design
基 金:山东省艺术教育专项课题“新文科建设背景下书法融入学前教育专业的理论内涵与实践路径”(课题编号:L2022Y10170208)。
摘 要:颜真卿作为唐代中晚期历经的四朝老臣,围绕颜真卿一生的一直是对其人品和书品真善美的探讨,他的道德情操、书法艺术都带有鲜明的理想主义气质,伴随着他人生最后关头的选择,死亡升华了他的人品和书品,使他的一生和特定时期的书法都带有悲剧意象,文章利用悲剧特征分析颜真卿的人生经历,分别从审美同情、审美恐惧和英雄主义的宿命探索《祭侄文稿》的悲剧美学内涵。Yan Zhenqing,as an old minister of four dynasties in the middle and late Tang Dynasty,has always been focused on the discussion of his character and the truth,kindness and beauty of his works.His moral sentiment and calligraphy art are full of bright idealistic temperament.Along with his choice at the last moment of his life,his death sublimated his character and works,and made his life and calligraphy in a specific period with tragic images.This paper analyzes Yan Zhenqing's life experience with tragic features,and probes into the tragic aesthetic connotation of the Manuscript of Sacrificial Nephew f rom t he p erspectives of a esthetic s ympathy,a esthetic f ear and heroism.
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