“美在和谐”视域下当代电视剧电影化发展探析  

An Analysis of the Cinematic Development of Contemporary TV Series from the Perspective of “Beauty Lies in Harmony”

作　　者：倪祥保 Ni Xiangbao

机构地区：[1]浙江传媒学院浙江省影视与戏剧研究中心 [2]浙江传媒学院电视艺术学院 [3]苏州大学电影电视艺术研究所

出　　处：《艺术传播研究》2024年第3期91-98,共8页Journal of Art Communication

摘　　要：我国电视剧的电影化创作及其研究,其自觉意识从无到有、逐步增强,从20世纪末的初级阶段发展到了当下的相对高水平的阶段。以“美在和谐”的观点来看,当代电视剧的电影化发展的主要特征是更好地实现了影视艺术的融合创新。电视剧在其故事讲述中自觉运用行云流水般的穿插闪回、倒叙或预叙等创作手法,能有效强化故事的情节张力并提升人物形象塑造的效果。当代电视剧在电影化发展中更注重镜头使用、画面构图及细节呈现,以此创造出更多富有时代气息和厚重历史感的意味深长的审美意蕴。而努力创作更富于艺术审美的视听表达,使电视剧声画相融相生从而更好地表达剧中人的“心象”及情绪,已成为当代电视剧电影化发展的又一个重要方面。The cinematic creation and research of Chinese TV series have gradually strengthened their consciousness from scratch,and have developed from the early stage of the late 20th century to the relatively high-level stage at present.From the perspective of“beauty lies in harmony”,the main characteristic of the cinematic development of contemporary TV series is the better integration and innovation of film and television art.TV series consciously use creative techniques such as interweaving,flashback,or pre-narration in their story telling,which can effectively strengthen the plot tension of the story and improve the shaping effect of character images.Contemporary TV series pay more attention to the use of lens shooting,picture composition and detail presentation in the development of filmmaking,in order to create more meaningful aesthetic connotations that are full of contemporary atmosphere and profound historical sense.Striving to create more audiovisual productions that are rich in artistic aesthetics,so as to integrate sound and picture in TV series and better express the“internal”and emotions of the characters,has become another important aspect of the cinematic development of contemporary TV series.

关 键 词：电视剧电影化 和谐美 影视融合创新 电视剧《繁花》 

分 类 号：J905[艺术—电影电视艺术]