历史记忆与文学叙事之间——论莫迪亚诺《多拉·布吕代》的记忆文化建构  

Between Historical Memory and Literary Narration:On the Construction of Memory Culture in Modiano’s Dora Bruder

作　　者：翁冰莹 Weng Bingying(College of International Studies,Shenzhen University,Shenzhen 518060,China)

机构地区：[1]深圳大学外国语学院

出　　处：《外国文学研究》2024年第2期109-123,共15页Foreign Literature Studies

基　　金：国家社会科学基金一般项目“记忆诗学视野下的莫迪亚诺小说研究”(18BWW066);深圳大学人文社科振兴计划项目“当代法国文学中的记忆诗学研究”(WKZX0306)。

摘　　要：《多拉·布吕代》是诺贝尔文学奖法国作家帕特里克·莫迪亚诺历十年之功而写就的代表力作。莫迪亚诺以记忆的艺术手法,追述了以“他者”即多拉·布吕代这一平凡弱小的历史人物为代表的犹太人在第二次世界大战法国被占领时期的人生经历,从而深刻揭示了难以捉摸的人类命运和一段被模糊化的历史。莫迪亚诺《多拉·布吕代》的记忆文化建构具体呈现在历史碎片的积淀与文学创作的契机、历史文本的整合与文学文本的映射、历史记忆的呈现与文学书写的勾连之中。处在历史记忆与文学叙事的间性结构下,莫迪亚诺形成了以新历史主义式的文学创作为通路的记忆文化建构。Dora Bruder is a representative work by the French Nobel Prize-winning writer Patrick Modiano,which he crafted over a decade.Employing the artistic technique of memory,Modiano traces the life experience of the Jews,represented by“the other”,an ordinary and vulnerable historical figure Dora Bruder,during the German occupation of France in World War II.Through this narrative,he profoundly reveals the elusive human destiny and a segment of history that has been obscured.Modiano’s construction of memory culture in“Dora Bruder”is concretely manifested in the accumulation of historical fragments and the opportunity for literary creation,the integration of historical texts and the reflection in literary texts,and the presentation of historical memory intertwined with literary writing.Positioned within the interstitial structure of historical memory and literary narration,Modiano develops a construction of memory culture through the New Historicist mode of literary creation.

关 键 词：莫迪亚诺 《多拉·布吕代》 历史记忆 文学叙事 记忆文化建构 

分 类 号：I565.074[文学—其他各国文学]