唐代美学下的首饰探究  

The Jewelry Research Based on Tang Aesthetics

作　　者：张晓燕[1] 黄凡 ZHANG Xiaoyan;HUANG Fan(School of Textiles and Fashion,Shanghai University of Engineering and Technology,Shanghai 201620)

机构地区：[1]上海工程技术大学纺织服装学院,上海201620

出　　处：《中国宝玉石》2024年第2期43-49,共7页China Gems & Jades

摘　　要：唐代美学以其包容开放、多元广博,气势恢宏、自由奔放泽被后世。唐文化博大包容,其以正统儒学思想为核心,融合了儒释佛文化,将魏晋时期传入我国的佛学文化融入大唐生活,在艺术形式上表现出复杂和开放、豪放与婉约、尚法与尚意、空灵与充实等美学特点交融并存。唐代美学下的大唐首饰则雍容华美、端庄大气、精美灵动,无论是其外部视觉特征的华美多元、表面纹饰的深厚寓意,还是材料的纷繁多呈等方面都蕴含着大国风范。本文聚焦唐代美学基础上的首饰类别与特征,探讨唐代首饰文化的可持续性传承设计问题。In the ancient history of China,the aesthetics of the Tang Dynasty were inclusive,open,diverse and extensive,magnificent and free.With orthodox Confucianism as the core,Tang culture integrated Confucianism,Buddhism and Buddhism into the life of the Tang Dynasty,and the art forms were complex and open,bold and graceful,Dharma and mind,and empty and full.Tang Dynasty jewelry is elegant,dignified atmosphere,exquisite and flexible,the external visual characteristics of colorful,surface decoration has deep meaning,the material is numerous,containing the style of a big country.This paper focuses on the types and characteristics of jewelry based on the aesthetics of the Tang Dynasty,and discusses the sustainable inheritance design of jewelry culture in the Tang Dynasty.

关 键 词：唐代美学 首饰文化 唐代首饰特点 

分 类 号：J529[艺术—艺术设计]