《爱药》中保留地空间上的文化竞争与生存策略  

Cultural Competition and Living Strategies of Reservation Spaces in Love Medicine

作　　者：曹赋月 CAO Fu-yue(School of Foreign Languages and Literature,Shandong University,Jinan 250199,China)

机构地区：[1]山东大学外国语学院,济南250199

出　　处：《山东青年政治学院学报》2024年第3期111-116,共6页Journal of Shandong Youth University of Political Science

摘　　要：厄德里克在《爱药》中挪用和戏仿了“恶作剧者”和“大地母神”等印第安神话原型和《圣经》中耶稣受难等宗教故事,通过两种文化的杂糅创造出了一片独特的神话空间。在三种具有代表性的福柯式的“异托邦”空间中,印第安传统文化与美国主流文化产生了竞争与融合,交织成复杂的文化图景、生产关系和规训场域。露露·纳娜普什和玛丽·拉扎雷作为印第安神话的“恶作剧者”在不同场域施展的策略不仅体现了本土裔积极动态的身份构建,而且展现了印第安传统文化与白人天主教文化和现代资本主义文化的协商。In Love Medicine,Louise Erdrich creates a unique mythological space by using Native American mythological archetypes like the Trickster and the Mother Earth and parodying religious stories like the Passion of Jesus Christ from the Holy Bible,making this novel a fusion of these two cultures.In three representative Foucault style“heterotopia”spaces,traditional Native American culture competes and blends with mainstream American culture,interweaving into complex cultural landscapes,production relations,and training fields.By their strategies,Lulu Nanapush and Marie Lazarre,tricksters in Native American mythological archetypes,not only demonstrate the active and dynamic identity construction of Native Americans in different contexts,but also present the negotiation between traditional Native American culture and white Catholic culture and modern capitalist culture.

关 键 词：异托邦 空间 印第安神话 《爱药》 厄德里克 

分 类 号：I106.4[文学—世界文学]