澳门路环谭公庙神功戏棚的营造与建构  

Construction and Tectonics of Bamboo Theater for Gods-reward Opera of Tam Kong Temple in Coloane,Macao

作　　者：麦晟 张晓桐 刘骁 MAI Sheng;ZHANG Xiaotong;LIU Xiao

机构地区：[1]澳门科技大学人文艺术学院,中国澳门特别行政区

出　　处：《新建筑》2024年第2期16-21,共6页New Architecture

基　　金：澳门科技大学研究项目(FRG-22-036-FA)。

摘　　要：数世纪以来,澳门地区逐渐形成以海神信俗为代表的海洋文化。海神庙宇作为物质与精神世界和谐统一的象征,承载着多重公共属性,影响城市发展,见证城市变迁。神功戏作为海神信俗神诞庆典中流程核心及仪式高潮,其空间载体神功戏棚的周期性营造和搭建活动体现了海神信俗文化对城市格局和建筑空间的影响。以澳门路环谭公庙神功戏棚为例,从场地、空间、营造与建构等方面,梳理神功戏棚这一海神文化空间特征,以及澳门地区海神信俗与建筑、城市发展之间动态、和谐及相辅相成的关系。以期解读蕴藏于节庆民俗中的建筑营造与建构智慧,同时引发更加全面、深入的研究与探讨。Over the centuries,Macao has gradually developed a maritime culture represented by the temples and worship of Sea Gods.As a unity of materiality and spirituality,temples of Sea Gods carry multiple public attributes,that affect urban development and witness urban changes.The core process and ritual climax of Sea Gods’birthday celebrations are the performances of Gods-reward Opera,and the cyclical construction and building activities of its spatial carrier,the bamboo theater,reflect the influence of Sea Gods’belief and custom culture on the urban pattern and architectural space.This article takes the Bamboo Theater for Gods-reward Opera of Tam Kong Temple in Coloane,Macao as an example to examine the characteristics of this cultural space of Sea Gods from the aspects of its site,space,architectural construction and tectonics,to gain a glimpse of the dynamic,harmony and complementary relationship between the worship of Sea Gods,architecture and urban development in Macao,in order to unveil the architectural wisdom of construction and tectonics contained in festival folk customs,and at the same time trigger more comprehensive and in-depth research and discussion.

关 键 词：澳门地区 海神信俗 神功戏棚 周期性营造 搭棚 

分 类 号：TU242.9[建筑科学—建筑设计及理论]