杨浦滨江南段废景演进中的“景象”思辨  

On the“Spectacle”in the Drosscape Evolution of the Southern Section of the Yangpu Riverfront

作　　者：陈蔚镇[1] 徐一珉 刘荃 CHEN Weizhen;XU Yimin;LIU Quan

机构地区：[1]同济大学建筑与城市规划学院,上海200092

出　　处：《新建筑》2024年第2期150-155,共6页New Architecture

基　　金：住房和城乡建设部新时代城市特色风貌管理和城市信息模型(CIM)研究项目(12020230134)

摘　　要：杨浦滨江,在从“锈带到秀带”的工业再生中以视觉作为媒介,通过结合工业遗址、当代艺术及消费文化,创造了一个足以将废弃景观衬托出价值的场域并带来新的意象经济。腹地居民、废墟探索者及建筑师在废弃厂区中的实践呈现出有别于主流景象叙事的他者视角——一种更富有动态性、过程性与社会经济更新意义的视角。文章旨在探讨当废弃景观演进为公共空间、公共建筑并重获公共性时,对它的“介入”应该如何展开。In the industrial regeneration from the“Rust Belt to Showy Belt”of the Yangpu Riverfront,the visual acted as a medium,and through the combination of industrial ruins with the contemporary art and consumer culture,place making valued drosscapes and brought in a new imagery economy.However,the practices of hinterland residents,ruin explorers,and architects in abandoned factories presented an alternative perspective to the dominant spectacle narrative,one that was more dynamic,process-oriented,and socio-economically renewing.This article explores how“interventions”in drosscapes should unfold as they evolve into public spaces or public buildings,and regain their public nature.

关 键 词：废弃景观 景象 叙事 他者 杨浦滨江 

分 类 号：TU984.113[建筑科学—城市规划与设计]