渝东南彭水道场仪式音乐形态特征探析  

Morphological Characteristics of Ashram Funeral Ritual Music in Pengshui in Southeast Chongqing

作　　者：刘志燕[1] Liu Zhiyan(School of Music,Yangtze Normal University,Chongqing 408100,China)

机构地区：[1]长江师范学院音乐学院,重庆408100

出　　处：《黑河学院学报》2024年第4期165-170,共6页Journal of Heihe University

基　　金：2020年重庆市教委人文社科研究项目“彭水民间道场丧葬仪式的音乐人类学研究”(20SKGH224)。

摘　　要：渝东南彭水道场是在当地农村广泛流行的一种民间丧葬仪式,仪程进行中始终伴随着唱腔及打击乐器的演奏。仪式音乐作为仪式必不可少的组成部分,厘清仪式中音乐的具体面貌及特征对于全面认识仪式活动具有重要意义。对渝东南彭水梅子垭乡道场掌坛师冯秀平、左青松等道师的访谈及实录的七天道场视频资料,整理记录了86首唱腔曲谱,及打击乐的9种主要板式,概括出了仪式用乐的类型化、程式性特征,以及唱腔旋律以重复、变奏为主的发展手法,初步呈现了道场音乐的基本面貌及特征。Pengshui Ashram in southeast Chongqing is a popular folk funeral ceremony in the local countryside,which is always accompanied by singing,speaking and percussion instruments.Ritual music is an indispensable part of ritual.It is of great significance to clarify the specific features and characteristics of ritual music for comprehensively understanding ritual activities.This article,based on interviews with Feng Xiuping,Zuo Qingsong and other ashram masters in Meiziya Township of Pengshui,and the recorded videos about seven days of Ashram Ritual procedure,notates 86 songs score and 9 kinds of main plate of percussion,summarizes the categorization and stylization characteristics of ceremonial music,as well as song melodies main based on repeat and variation development techniques,preliminary presents its basic features and characteristics of Ashram music.

关 键 词：渝东南彭水县 道场丧葬仪式音乐 音乐发展手法 

分 类 号：B923[哲学宗教—宗教学]