《镜花缘》之“奇”的呈示与功用  

The Presentation and Function of the"Strange"in the Mirror Flowers

作　　者：杨歌 武全全 YANG Ge;WU Quan-quan(College of Arts,Bohai University,Jinzhou Liaoning 121013,China)

机构地区：[1]渤海大学文学院,辽宁锦州121013

出　　处：《湖北第二师范学院学报》2024年第4期47-52,78,共7页Journal of Hubei University of Education

摘　　要：《镜花缘》一文出现了不胜枚举的奇幻内容,通观整部作品,有关“奇”的描绘,呈现出了两种编排的模式,分别是“以幻为奇”与“无奇之奇”。这两种“奇”的形塑符合中国古典小说“奇”的理论发展脉络,与此同时作者借《镜花缘》中的“奇”来对世风教化进行劝讽,增加小说趣味性以及增强了知识的别样传播。The Mirror Flowers is a novel with hundred chapters created by Li Ruzhen in the Qing Dynasty.Its text presents countless fantasy colors.Throughout the work,there are two modes of the description of"strange",namely fantasy as the strange and the strange which has nothing strange.At the same time,the author Li Ruzhen used the"strange"to persuade readers to be humble and to observe law and discipline.The“strange”also increased the interest of the novel,and enhanced the dissemination of knowledge.

关 键 词：《镜花缘》 以幻为奇 无奇之奇 借奇劝讽 

分 类 号：I206.2[文学—中国文学]