传承·借鉴·融合——康熙紫砂胎画珐琅茶器上的没骨花绘  

Inheritance,Reference and Integration——Mogu Flower Painting on Kangxi Zisha Tea Ware with Painted Enamel

作　　者：姜郭霞[1] 潘师敏 刘晓丽[1] Jiang Guoxia;Pan Shimin;Liu Xiaoli(Wuxi Vocational Institute of Arts and Technology,Jiangsu,Yixing,214206,China)

机构地区：[1]无锡工艺职业技术学院,江苏宜兴214206

出　　处：《陶瓷》2024年第5期131-136,共6页Ceramics

摘　　要：据清宫档案和文献记载,康熙年间紫砂胎画珐琅茶器共有19件,现悉数收藏于台北故宫博物院。这些国宝级紫砂胎画珐琅茶器,堪称陶瓷史上最稀有的珍贵之器皿。笔者从这仅存的19件紫砂胎画珐琅茶器上的没骨花卉图案出发,透过研究装饰图绘的传承背景、西方画珐琅艺术的形式和融合中西绘画技法风格来探讨紫砂器上图绘的传承及特征。从绘画的内容题材、表现风格来看,均在继承宋代没骨花鸟画的基础上有所革新,而从画珐琅的工艺技法,则一定程度上受到西方工艺及绘画风格的影响,融合多种艺术风格形成康熙朝所独有的紫砂胎画珐琅的装饰图绘。According to the Qing palace archives and documents,there were 19 Enamel Tea vessels painted with purple sand during the reign of Kangxi.All of them are now collected in the National Palace Museum in Taipei.These national treasure class purple sand painted enamel tea vessels covered with gorgeous coats can be called the rarest and precious vessels in the history of ceramics.Starting from the boneless flower patterns on the only 19 purple sand embryo painted enamel tea vessels,this paper discusses the inheritance and characteristics of the above painting of purple sand vessels from three aspects:the inheritance background of decorative painting,the form of Western enamel art and the integration of Chinese and Western painting techniques and styles.In terms of the content,subject matter and expression style of the painting,they have been innovated on the basis of inheriting the boneless flower and bird painting of the Song Dynasty.To a certain extent,the process and techniques of enamel painting are affected by Western technology and painting style,and a variety of artistic styles are integrated to form the decorative painting of purple sand fetal enamel unique to the Kangxi Dynasty.

关 键 词：紫砂胎画珐琅 茶器 没骨花鸟 康熙 

分 类 号：TQ174.74[化学工程—陶瓷工业]